Since her childhood, Kaela began to get interested in occultism and the arts. Her first works within the artistic field were leaning towards heterodox tendencies of folkloric mysticism, which began to develop a style of their own, a zone between illustration and painting, but with a constant search for balance and harmony in her compositions.
Along with her academic studies in art and graphic design, she became interested in the gnosticism of the left hand path. Her works were also touched by her encounters with the artistic philosophy of painters such as Austin Osman Spare or Frieda Harris and their search, within the occult, of a way to capture and cast the unconscious mind under the form of an image. It was under these circumstances that the art of Kaela began to find new directions and a more personal definition, free of formal influences.
Kaela's work has been exhibited in publications such as:
• SALVE HONORIS MORTE
• LIL AZ'H'AZ LIL;
"El grimorio de la diosa aracneana"
• LIFTOACH ISH 'A' GAMALIEL;
"Los misterios de la magia lunar y la sexualidad sagrada"
• HARAB SERAPEL;
"Cuervos del dios ardiente"
• SABBATICA Vol. 3;
"Las llaves de DeathBringer, y las aguas del no retorno"
"Deidades femeninas en el camino de la mano izquierda"
• SABBATICA Vol. 4;
"El Jardín de los Huesos y los Arcanos de la Muerte"
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